Showing posts with label Kevin Figes. Show all posts
Showing posts with label Kevin Figes. Show all posts

Thursday, 13 March 2014

Review: Kevin Figes - Circular Motion

Keving Figes has been a regular touring and recording artist for years now, both leading his own quartets, trios and bossa nova groups, and also contributing strong work to other players efforts. A well-known and highly regarded name in his native Bristol, his long-time coming debut ‘Circular Motion’ brilliantly showcases welcome evidence of a very long and enduring musical journey.

Keen to possess substance but still be accessable, ‘Circular Motion’ highlights the strong yet different backgrounds of his work – from his more free-style work recorded with Keith Tippett to his more funk-flavoured live group playing, and makes sure to show all the little pockets of his versatile musical personality.

‘Listless’ opens, with a strong and hooky saxophone melody so identifiable and memorable it could easily make radio play, and quickly became both Figes’ signature piece and a live favourite. ‘Song For Sometime’ elsewhere offers its bandleader a lovely slight-gospel ballad, and another Figes live staple ‘The Grind’ gives us a suitably swinging funk.

It isn’t just himself he provides for though. Aware of the superb musicians he has with him, plenty of space to shine is given to considerably talented local Bristol star Jim Blomfield on piano who more than gets into the complex rhythms and juicy changes in each piece (‘Sevenup’ is a highlight), and sadly serves to remind us of Blomfield’s own slim discography.

The strong self-written compositions are also given subtle but strong support by bassist Riaan Vosloo and drummer Tim Giles, while the one single cover here is the final track, a take on a piece by Figes’ much admired Wayne Shorter. ‘Lester Left Town’ originally recorded by Shorter whilst with Art Blakey’s Jazz Messengers was his tribute to the then recently passed master tenor Lester Young., and Figes own take on alto saxophone is no less moving, or inspired.

Much like his playing and writing influences of Shorter and also Dave Holland, the music here has a lightness of touch that gently holds the subtle and complex compositions underneath. The effect overall is a set of lively and widely varied yet cohesive music from a band that repeatedly deliver a stomping live show. A skilled and impassioned debut, it also achieves the valuable trick of making you want more just as it finishes.

****

Sunday, 28 July 2013

Gig Review: Kevin Figes Quartet - Live At Fringe Bar 04.07.2013

Bristol alto saxophonist Kevin Figes is one of the areas leading players (for me personally he's in the top two, frequently one) and is known for playing in a wide range of different outfits; from duos, to various mid-size groups, all the way to big bands. The absolute must-see Figes-featuring group though is his own outstanding quartet.

Caught live in the tight confines of the Bristol Fringe Bar on July 4th, the group excelled, but then with players of the likes of pianist Jim Blomfield, bassist Will Harris and drummer Mark Whitlam, this would hardly ever come as a surprise. Playing a set of wholly original material, Figes led the group through works mainly from his latest (and best) album 'Tables And Chairs', as well as dipping into choice cuts from his earlier recordings. And they rocked.

Rocked may be an odd phrase to use, but frankly it fits. Bass and drums from the off had a more rock and funk feel to things, and they grooved hard, but all importantly left space aplenty for Figes and Blomfield to flavour proceedings with plenty of colour.

Blomfield is a clear and thoughtful improviser, who plays well with structure, and never strays or meanders, and demonstrates a skilled touch and soulfully funky feel whether tackling either the classic acoustic piano or the Fender Rhodes, or whatever other sounds he chooses to experiment with. His flourishes alone tonight in fact could easily have been the making of any group, taking care to showcase all sides of his musical personality; latin, funk, classically romantic, more avant-garde chromaticism...you name it, he played to its peak.

The main man though is where it counts, and as well as a top composer, Kevin Figes is both a superb player and an excellent bandleader. A master of several different sounds on his saxophone, he displayed a perfectly silky smooth tone on 'Here You Are', surely a highlight of the new album, and his composition 'Angel', for his daughter, is one of his all-time best, with tonight's emotionally-charged performance being no exception.

Probably one of the best jazz quartets playing live right now, Figes' group is tight, funky and melodic, without ever sacrificing any spirit of adventure in their playing. Tonight they were red hot and on their performance this evening alone you deserve to treat yourself to checking out a gig or three.

To check out some more of Figes' work, check out http://www.kevinfiges.co.uk/